Charcoal and Pastels Grant Bruce Pileggi Artistic Freedom

Written by Marin Davidson

Edited and packaged by RJ Smith

Students in Professor Lindsay Lennon’s Feature Writing class were assigned interviews with SUNY New Paltz alumni who were featured in Wired Gallery’s “Golden Age of New Paltz” exhibition. This is what they found:

Marin Davidson interviews Bruce Pileggi, a Golden Age artist featured in the Wired Galley. This interview explores Pileggi’s past and delves into what motivated him to pursue a career in art, providing a look at one of New Paltz’s most prominent artists.

Editor’s note: This story’s featured image is artwork made by Frank Stella, a source of artistic inspiration for Bruce Pileggi.  

Bruce Pileggi is a multimedia artist residing in Gardiner, New York. Originally from Croton-on-Hudson, he attended SUNY New Paltz from 1966 through 1970. He is currently involved in a three-part exhibition called the Golden Age of New Paltz at Wired Gallery in High Falls. Pileggi, along with over 100 other artists featured in the exhibition, attended SUNY New Paltz in the ’60s, when art wasn’t necessarily a viable career option for many people. They saw the growth of art in all media, and saw its potential. These artists shaped the Fine Arts Program into what it is today. 

What kept you in the area?
Proximity to New York City and its art scene, museums and galleries.

What inspired you to pursue art at SUNY New Paltz?
I knew by the age of 3 that I wanted to be an artist and SUNY New Paltz accepted me into their art program even though I lacked the foreign language credits. Luckily the professors at the time were very willing to hang with us and to treat us as equals; they were very heady times.


What has changed the most about New Paltz since you attended?
It’s become more gentrified. Fifty years ago during intersession the town was a quiet, little, quaint village. Now the town seems to be open for business 24/7.

What inspires your work now? Has it always been the basis for your work?
In the past the work of Frank Stella and more importantly, the work of Mark Rothko. Today I’m inspired by my desire to follow my impulses, to listen to that which surrounds and the work I see at museums and galleries in NYC.                                                      

What is your favorite medium?
I work mostly with charcoal on raw canvas but lately I’ve been using pastels in order to introduce color to my pieces.

 

 

 

 

 

Who was the most influential figure in your time at SUNY New Paltz? Why?
Three professors: Manny Bromberg, Joop Saunders and Herman Cherry. I had a studio off campus and they all not only came to my studio to look at my work, they also encouraged me to follow my dream to become a full-time artist and not pursue a degree in teaching.

What was the political climate like in New Paltz during your time here?
Much more right wing then it is even today. I was part of a small group of students protesting the war in Vietnam. I remember a group of us numbering no more than two dozen protesting outside of the old SUB and being surrounded by hundreds of other students cat-calling, flag waving and screaming at us that we were un-American and that we should leave if we didn’t love this country.

What is it like being in an exhibition with your former classmates again?

It’s been a combination of a class reunion and a continuation of the spirit and feeling of the ’60s, which was one of sharing and not one of competition. I’m happy for my former classmates and feel glad that we could come together again, even if only for a brief moment.

Read about other #GoldenAge artists here:

Jack Murphy offers a snapshot of what it was like to be an artist in New Paltz during the “Golden Age,” and his inspiration behind curating the exhibition.

Jo-Ellen Trilling is an artist from the era of protest art in 1968 to 1971 who intertwines magical realism with art to reflect life within the political climate at the time.

Jerry Vis is an architectural designer who, at 79 years old, still remains creatively curious when it comes to making art.

Ed Samuels began drawing early in his childhood after being influenced by his family of artists. He found his niche during the ‘60s and ‘70s after seeing the beauty in all environments, from New York City streets to Sante Fe’s cliffs and beaches.

Jon Ellis Stevens is an award-winning photographer and New Paltz alumnus. He discusses his desire to show that photography is more than capturing still images and how the radical times of the ‘60s inspires his artwork.

Sevan Melikyan is a native from Turkey who journeyed with the dream of becoming an artist to America, where he became enthralled with the rich artistic history of New Paltz.

Eileen Cowin is a multi-medium artist from New York who creates politically charged work inspired by the 1970s and today and connects them in abstract ways.

Shelley Davis is a woman of many art forms, including a style she created herself as a graduate student. Her groundbreaking “photo fusion” art has travelled the globe, featured in galleries across Europe and the United States.

Robert Crimi is an artist from the Bronx who is inspired by jazz music and creates colorful oil paintings with techniques his muralist uncle taught him.

Rosalie Rossi, an alumna of SUNY New Paltz, has taught art to students from preschool to the college level. She believes every student she teaches should do a self portrait.

Michael Velkovich, an alumnus of SUNY New Paltz, uses printmaking to express his artistic vision. He reflects on his journey as an artist, how he faced critics and how he has given back to the arts community.

Aletta Vett is a costume designer who defied rules and honed her craft at New Paltz. Her art designs prove just how creative and talented she has been over her decades-long career.

Win Bottum-Morgan took a drawing class hoping to learn the mechanics of art but was instead taught how to see the world in a different light. This perspective ignited his passion for painting. He continues to pursue art while practicing as a clinical psychologist in Corte Madera, California.

Larry Audette, not only an artist but a Jazz musician, talks about his memorable time at New Paltz with an array of artists who felt like family to him.

Rosalind “Roz” Zarr creates wearable art. Her jewelry is the only of its medium featured in the “Golden Age of New Paltz,” a testament of her prolific experience at the university in the late ’60s.

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