Hudson Valley Artist and Musician Takes Inspiration From New Life in New Mexico

Written by Matt Manza

Edited and packaged by The Little Rebellion

Students in Professor Lindsay Lennon’s Feature Writing class were assigned to interview SUNY New Paltz alumni who were featured in Wired Gallery’s “Golden Age of New Paltz” exhibition. Here’s what they found:

Larry Audette, not only an artist but a Jazz musician, talks about his memorable time at New Paltz with an array of artists who felt like family to him.

If you happen to be walking around Taos, New Mexico, you may come across a talented bass player who goes by the name of Larry Audette. He occasionally performs with a variety of jazz artists in the area. Audette is a former resident of New Paltz, New York, where he lived during the “Golden Age” in the 1960s. Eventually, his journey took him to New Mexico where he has lived for over 30 years. If you only knew Audette by his musical talents, you’d be surprised to find out that he also been painting for most of his life. He has painted a variety of landscapes throughout the years.

What was life like growing up for you?

I had a rather rough childhood. My father died when I was 5 years old. My mother then married a man who abused me in ways that would be considered criminal these days. My salvation was learning guitar at age nine and starting to study art seriously around the same time. I’ve managed to practice the guitar pretty much every day for the last 61 years. Along the way, I picked up a few other instruments, specifically the string bass which I now play most of my gigs on.

What did you enjoy the most about living in New Paltz during the “Golden Age” of the 1960s?

Well, the standard joke is, “If you can remember the 1960s, you weren’t really there.” Suffice to say, I participated to the fullest possible extent. I may not remember everything, but the memories I do have are among the sweetest and most potent. The friendships that were forged there in the thick of the psychedelic era were, and are, irreplaceable and remarkably durable. We were like a family of artists. We still are.

After living in New York, why move to Taos?

I like to say that it’s because Taos is as far from upstate New York as you can get and still be in the United States, but that isn’t true. I love the Hudson Valley. I visited Taos during the 1960s and 1970s to visit my friend Bill Gersh. In 1979, I met Pam, my wife, and she became pregnant shortly after. I suppose you could call it fate. It has been great spending the last 38 years in this vibrant art colony surrounded by spectacular scenery.

How did you become a musician?

By the time I got to New Paltz in 1966, I had been playing gigs for four years. It really was a golden era for bands. Those of us lucky enough to be on the scene at the time got a musical education at the bar. I think every bar had live music. We worked six, seven nights a week. Bill Troiani and I had a duet called Duke & Slick which was a lot of fun. We used to work a lot with Mikhail Horowitz and the late Frank Patricolo, who had a comedy act called Null & Void. To say we had a wonderful time is an understatement.

I noticed that you are not only a jazz musician, but also a painter. How did that happen?

The art scene was just as happening as the music. I’d been painting and drawing all along, but in New Paltz there was a fascinating lineup of talented people. I’m not going to list them all here. But, just look at the list of exhibitors at these three Golden Age exhibits in New Paltz! Again, the family feeling was there. Just hanging with this gang was inspirational.

What is the inspiration behind your landscape paintings?

After trying all sorts of modes, I settled on landscape as a motif for painting. Being in Taos, with the humbling presence of the land here, certainly had something to do with it. I also feel the landscape is a pure expression. I actually do the occasional figure and an abstract here and there, but the landscapes just keep coming.

You performed at Taos Historic Museums Fandango fundraiser, what was that like?

It was inspirational!  There were a couple of things written on the studio wall that caught my attention. Some of them were: “A work is only art in the measure that it gives the truth, translated into emotions aroused in the soul of the artist. It has been truly said that there is no work that shows so thoroughly the state of mind of the worker as painting.” And, “Students are taught to paint what they see, and very often the pupil with the least imagination will excel in the craft and win prizes.”  What’s more fun for a musician/painter than to play a gig in a room full of paintings and painters?

Read about other #GoldenAge artists here:

Jack Murphy offers a snapshot of what it was like to be an artist in New Paltz during the “Golden Age,” and his inspiration behind curating the exhibition.

Fern T. Apfel is a text-based illustrative artist who constructs collages using various mediums. An alumna of SUNY New Paltz, Apfel reflects on her growth, inspirations and favorite artists.

Jo-Ellen Trilling is an artist from the era of protest art in 1968 to 1971 who intertwines magical realism with art to reflect life within the political climate at the time.

Bruce Pileggi is an alumnus of SUNY New Paltz who delves into his past and explores themes that motivated him to pursue a career in art.

Jerry Vis is an architectural designer who, at 79 years old, still remains creatively curious when it comes to making art.

Ed Samuels began drawing early in his childhood after being influenced by his family of artists. He found his niche during the ‘60s and ‘70s after seeing the beauty in all environments, from New York City streets to Sante Fe’s cliffs and beaches.

Jon Ellis Stevens is an award-winning photographer and New Paltz alumnus. He discusses his desire to show that photography is more than capturing still images and how the radical times of the ‘60s inspires his artwork.

Sevan Melikyan is a native from Turkey who journeyed with the dream of becoming an artist to America, where he became enthralled with the rich artistic history of New Paltz.

Eileen Cowin is a multi-medium artist from New York who creates politically charged work inspired by the 1970s and today and connects them in abstract ways.

Shelley Davis is a woman of many art forms, including a style she created herself as a graduate student. Her groundbreaking “photo fusion” art has travelled the globe, featured in galleries across Europe and the United States.

Robert Crimi is an artist from the Bronx who is inspired by jazz music and creates colorful oil paintings with techniques his muralist uncle taught him.

Rosalie Rossi, an alumna of SUNY New Paltz, has taught art to students from preschool to the college level. She believes every student she teaches should do a self portrait.

Michael Velkovich, an alumnus of SUNY New Paltz, uses printmaking to express his artistic vision. He reflects on his journey as an artist, how he faced critics and how he has given back to the arts community.

Aletta Vett is a costume designer who defied rules and honed her craft at New Paltz. Her art designs prove just how creative and talented she has been over her decades-long career.

Win Bottum-Morgan took a drawing class hoping to learn the mechanics of art but was instead taught how to see the world in a different light. This perspective ignited his passion for painting. He continues to pursue art while practicing as a clinical psychologist in Corte Madera, California.

Rosalind “Roz” Zarr creates wearable art. Her jewelry is the only of its medium featured in the “Golden Age of New Paltz,” a testament of her prolific experience at the university in the late ’60s.

Matt Manza

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Mon Dec 10 , 2018
Written by Matt Warshaw  Packaged and Edited by The Little Rebellion Students in Professor Lindsay Lennon’s Feature Writing class were assigned interviews with New Paltz artists […]

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